I have spent a copious amount of time trying to obtain enough knowledge and handcraftsmanship to explain nature in a true visual sense. I want us to feel as if inside the painting or part of the surroundings, yet still be able to see its brushwork, and constructive strategies, from a technical standpoint.

Even on a conceptual level this is true to me, a replication of nature, fractal, polar. The method in itself has become a key component in trying to mediate the extremes as a natural order of mother earth.